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"Tales for The Ones in Love"

An international blog about literature and ecocriticism. Here I include my own lyrics, by Rui M. and also the work of others, from 4 to 24 each month 2018: new contributions sent to ruiprcar@gmail.com Periodical Art contests and Critics. Thanks. Arigatou

"Tales for The Ones in Love"

An international blog about literature and ecocriticism. Here I include my own lyrics, by Rui M. and also the work of others, from 4 to 24 each month 2018: new contributions sent to ruiprcar@gmail.com Periodical Art contests and Critics. Thanks. Arigatou

19.07.17

interview... Paula Hawkins

talesforlove

During the Book Market Fair in Lisbon (2017) it was possible to interview Paula Hawkins. It was a very exciting experience and a privilege to speak with a writer with such a big success in thriller novels. Her answers were very important to us in order to better understand who is a writer and how life influences their work.

 

 

What does being a writer mean to you?

Writing is more a vocation than a profession: I’m lucky enough to be able to earn a living by doing it, but I think I would write – just as I always have written – even if I wasn’t published.  Since childhood I have relished making up stories: it took until I was in my thirties to find the confidence to show those stories to others, but the urge to create fiction has never left me.

 

Which season of your life do you think had the most influence on your writing?

Possibly my late teens/early twenties, which was the time at which I left Zimbabwe, where I grew up, and moved to London, where I live now. Those years were turbulent, and often lonely – I wrote a great deal at the time. At nineteen, I moved to Paris and lived there for a year. That was the first time I had lived alone, in a foreign city, speaking a language I struggled to master. It was lonely, again, but exciting too.

 

Is it possible for a writer to create their work without consideration for the feelings of the people around them?

I think perhaps it is possible, though I’m not sure that it should be. Writing is, for me, an exercise in empathy, in understanding others, in being able to place yourself in the position of another and imagine their thoughts and feelings. It would be strange then if while imagining the thoughts and feelings of fictional characters, one were to ignore the feelings of the real people in the society we live in.

02.07.17

Movie Review

talesforlove

Cinema Critique: Les Délices de Tokyo by Rui M. Carvalho (30 May 2017)

an_les_delices_de_tokyo_film

Full of poetry, Les Délices de Tokyo, a movie directed by NAOMI KAWASE, is a film that imprisons us inside the screen. Gradually we forget everything around us, until we almost refuse to be confronted with the end of this wonderful piece of art.

continues at:

http://synchchaos.com/?p=13149

http://synchchaos.com/

 

01.07.17

Because We Need Hope for the World

talesforlove

Joni Mitchell (1971) -A Case Of You

 

Just before our love got lost you said
I am as constant as a northern star
And I said, constantly in the darkness
Where's that at?
If you want me I'll be in the bar

On the back of a cartoon coaster
In the blue Tv screen light
I drew a map of Canada
Oh Canada
With your face sketched on it twice

Oh you're in my blood like holy wine
You taste so bitter and so sweet
Oh I could drink a case of you darling
And I would still be on my feet
Oh I would still be on my feet

Oh I am a lonely painter
I live in a box of paints
I'm frightened by the devil
And I'm drawn to those ones that ain't afraid
I remember that time that you told me, you said
Love is touching souls
Surely you touched mine
Cause part of you pours out of me
In these lines from time to time

Oh you're in my blood like holy wine
You taste so bitter and so sweet
Oh I could drink a case of you darling
Still I'd be on my feet
I would still be on my feet

I met a woman
She had a mouth like yours
She knew your life
She knew your devils and your deeds
And she said
Go to him, stay with him if you can
But be prepared to bleed

Oh but you are in my blood you're my holy wine
You're so bitter, bitter and so sweet
Oh I could drink a case of you darling
Still I'd be on my feet
I would still be on my feet

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